%20--%3e%3csvg%20width='512'%20height='512'%20viewBox='0%200%20135.46666%20135.46667'%20version='1.1'%20id='svg185'%20sodipodi:docname='wserie.svg'%20inkscape:version='1.2.2%20(b0a8486541,%202022-12-01)'%20inkscape:export-filename='../../public/wserie.png'%20inkscape:export-xdpi='96'%20inkscape:export-ydpi='96'%20xmlns:inkscape='http://www.inkscape.org/namespaces/inkscape'%20xmlns:sodipodi='http://sodipodi.sourceforge.net/DTD/sodipodi-0.dtd'%20xmlns:xlink='http://www.w3.org/1999/xlink'%20xmlns='http://www.w3.org/2000/svg'%20xmlns:svg='http://www.w3.org/2000/svg'%3e%3csodipodi:namedview%20id='namedview187'%20pagecolor='%23ffffff'%20bordercolor='%23666666'%20borderopacity='1.0'%20inkscape:showpageshadow='2'%20inkscape:pageopacity='0.0'%20inkscape:pagecheckerboard='0'%20inkscape:deskcolor='%23d1d1d1'%20inkscape:document-units='mm'%20showgrid='false'%20inkscape:zoom='0.75187991'%20inkscape:cx='-219.44994'%20inkscape:cy='212.79994'%20inkscape:window-width='1920'%20inkscape:window-height='1029'%20inkscape:window-x='0'%20inkscape:window-y='27'%20inkscape:window-maximized='1'%20inkscape:current-layer='layer1'%20/%3e%3cdefs%20id='defs182'%3e%3cradialGradient%20inkscape:collect='always'%20xlink:href='%23linearGradient1249'%20id='radialGradient1251'%20cx='254'%20cy='95.249992'%20fx='254'%20fy='95.249992'%20r='67.65345'%20gradientUnits='userSpaceOnUse'%20/%3e%3clinearGradient%20inkscape:collect='always'%20id='linearGradient1249'%3e%3cstop%20style='stop-color:%2334b86b;stop-opacity:1;'%20offset='0'%20id='stop1245'%20/%3e%3cstop%20style='stop-color:%23206f43;stop-opacity:1;'%20offset='1'%20id='stop1247'%20/%3e%3c/linearGradient%3e%3clinearGradient%20inkscape:collect='always'%20xlink:href='%23linearGradient1271'%20id='linearGradient1273'%20x1='225.37227'%20y1='95.249992'%20x2='297.42328'%20y2='95.249992'%20gradientUnits='userSpaceOnUse'%20/%3e%3clinearGradient%20inkscape:collect='always'%20id='linearGradient1271'%3e%3cstop%20style='stop-color:%23ffffff;stop-opacity:1;'%20offset='0'%20id='stop1267'%20/%3e%3cstop%20style='stop-color:%23adadad;stop-opacity:1;'%20offset='1'%20id='stop1269'%20/%3e%3c/linearGradient%3e%3c/defs%3e%3cg%20inkscape:label='Layer%201'%20inkscape:groupmode='layer'%20id='layer1'%3e%3cg%20id='g1293'%20transform='translate(-186.26667,-27.516659)'%3e%3ccircle%20style='fill:url(%23radialGradient1251);fill-opacity:1;stroke:none;stroke-width:0.159763px;paint-order:fill%20markers%20stroke;stop-color:%23000000'%20id='path358'%20cx='254'%20cy='95.249992'%20r='67.65345'%20/%3e%3cpath%20id='path1748'%20style='fill:url(%23linearGradient1273);fill-opacity:1;stroke:none;stroke-width:0.127407px;paint-order:fill%20markers%20stroke;stop-color:%23000000'%20inkscape:transform-center-x='-12.008464'%20d='m%20225.37227,45.1744%20v%2032.19152%202.85227%20l%2031.87352,15.0318%20-31.87352,15.03181%20v%202.85226%2032.19153%20l%2072.05101,-33.97984%20-34.12905,-16.09576%2034.12905,-16.09576%20z'%20/%3e%3c/g%3e%3c/g%3e%3c/svg%3e){kind=small}
Shows tagged: MUSIC-PROGRAM
NHK Kouhaku Uta Gassen
77 Episode s . NHK Kouhaku Uta Gassen (ＮＨＫ紅白歌合戦, "NHK Red and White Song Battle"), more commonly known simply as Kouhaku, is an annual New Year's Eve television special held on December 31 every year, and produced by Japanese public broadcaster NHK. It is broadcast live simultaneously on NHK General TV, BS4K, BS8K and NHK radio (nationally) and internationally on NHK World Premium and some overseas (mainly cable) broadcasters who buy the program. The program divides the most popular music artists of the year into competing teams of red and white. The 'red' team or 'akagumi' (紅組) is composed of all female artists (or groups with female vocals), while the 'white' team or 'shirogumi' (白組) is all male (or groups with male vocals).
NHK Kouhaku Uta Gassen
77 Episode s . NHK Kouhaku Uta Gassen (ＮＨＫ紅白歌合戦, "NHK Red and White Song Battle"), more commonly known simply as Kouhaku, is an annual New Year's Eve television special held on December 31 every year, and produced by Japanese public broadcaster NHK. It is broadcast live simultaneously on NHK General TV, BS4K, BS8K and NHK radio (nationally) and internationally on NHK World Premium and some overseas (mainly cable) broadcasters who buy the program. The program divides the most popular music artists of the year into competing teams of red and white. The 'red' team or 'akagumi' (紅組) is composed of all female artists (or groups with female vocals), while the 'white' team or 'shirogumi' (白組) is all male (or groups with male vocals).
おげんさんといっしょ
6 Episode s .
おげんさんといっしょ
6 Episode s .
Ogen-san no Sabusuku-do
12 Episode s .
Ogen-san no Sabusuku-do
12 Episode s .
Hoshino Gen no Ongaku Kōron
12 Episode s . An educational program hosted by Gen Hoshino and his puppet "Kaisetsuin" that focuses on a "history changing" musician in each episode.
Hoshino Gen no Ongaku Kōron
12 Episode s . An educational program hosted by Gen Hoshino and his puppet "Kaisetsuin" that focuses on a "history changing" musician in each episode.
Venue101
47 Episode s . A live music show featuring live performances and music talks, including live renditions of popular songs and special collaborations. The show is hosted by Ryuuichi Hamaya and Erika Ikuta, with additional content available on NHK Plus and social media platforms.
Venue101
47 Episode s . A live music show featuring live performances and music talks, including live renditions of popular songs and special collaborations. The show is hosted by Ryuuichi Hamaya and Erika Ikuta, with additional content available on NHK Plus and social media platforms.
Hee! Hee! Hoo!
4 Episode s .
Hee! Hee! Hoo!
4 Episode s .
スペシャのヨルジュウ♪
12 Episode s .
スペシャのヨルジュウ♪
12 Episode s .
Beat MX
10 Episode s . In this series we will learn about the musical proposals of 10 different producers of electronic and experimental music, as well as the context in which they operate, what their desires and searches are that make their music something special that allows them to build their own identity and a public.
Beat MX
10 Episode s . In this series we will learn about the musical proposals of 10 different producers of electronic and experimental music, as well as the context in which they operate, what their desires and searches are that make their music something special that allows them to build their own identity and a public.