Vilgot Sjöman
David Harald Vilgot Sjöman was a Swedish writer and film director. His films deal with controversial issues of social class, morality, and sexual taboos, combining the emotionally-tortured characters of Ingmar Bergman with the avant garde style of the French New Wave. He is best known as the director of the films 491 (1964), I Am Curious (Yellow) (in Swedish, "Jag är nyfiken - gul") (1967), and I Am Curious (Blue) ("Jag är nyfiken - blå") (1968), which stretched the boundaries of acceptability of what could then be shown on film, deliberately treating their subjects in a provocative and explic...
Created Shows
Hur ska det gå för Pettersson?
3 Episode s . Rulle has a secret child out of wedlock in Gotland. When she suddenly turns up in Stockholm he doesn't want to explain it to his wife so he sells the fatherhood to his neighbour.
Hur ska det gå för Pettersson?
3 Episode s . Rulle has a secret child out of wedlock in Gotland. When she suddenly turns up in Stockholm he doesn't want to explain it to his wife so he sells the fatherhood to his neighbour.
Ingmar Bergman Makes a Movie
5 Episode s . The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaimed director. In August, Sjöman and the television crew begin to capture what would become a comprehensive five-part documentary on the making of Winter Light, offering views of script development, set construction and lighting, rehearsals and editing, as well as intimate conversations with Bergman and members of his cast and crew. Footage from the film’s Swedish premiere delivers immediate audience reactions and the critics’ reviews the following day.
Ingmar Bergman Makes a Movie
5 Episode s . The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaimed director. In August, Sjöman and the television crew begin to capture what would become a comprehensive five-part documentary on the making of Winter Light, offering views of script development, set construction and lighting, rehearsals and editing, as well as intimate conversations with Bergman and members of his cast and crew. Footage from the film’s Swedish premiere delivers immediate audience reactions and the critics’ reviews the following day.