The Spielberg Oner - One Scene, One Shot

May 6, 2014

0.0%

Every Frame a Painting - S1 - E3

One overlooked aspect of Spielberg is that he's actually a stealth master of the long take. From Duel to Tintin, for forty years, he has sneakily filmed many scenes in a single continuous shot.

Tweet! Telegram Facebook Pinterest

Every Frame a Painting: Season 1 - 14 Episode s

1x1 - Mother (2009) - Telephoto Profile Shots
April 16, 2014
A brief analysis of one aspect of Bong Joon-ho's great film Mother (2009). WARNING: MAJOR SPOILERS. For educational purposes only.
1x2 - The Imposter (2012) - Looking into the Lens
April 25, 2014
A brief analysis of Bart Layton's The Imposter (2012). WARNING: SPOILS EVERY GODDAMN THING.
1x3 - The Spielberg Oner - One Scene, One Shot
May 6, 2014
One overlooked aspect of Spielberg is that he's actually a stealth master of the long take. From Duel to Tintin, for forty years, he has sneakily filmed many scenes in a single continuous shot.
1x4 - Wolf Children (2012) - The Lateral Tracking Shot
May 16, 2014
Looking for a unique lateral tracking shot? Consider this example from Mamoru Hosoda's excellent film Wolf Children (2012). NO SPOILERS.
1x5 - Edgar Wright - How to Do Visual Comedy
May 26, 2014
If you love visual comedy, you gotta love Edgar Wright, one of the few filmmakers who is consistently finding humor through framing, camera movement, editing, goofy sound effects and music. This is an analysis and appreciation of one of our finest comedic voices.
1x6 - Martin Scorsese - The Art of Silence
June 14, 2014
Even though Martin Scorsese is famous for his use of music, one of his best traits is his deliberate and powerful use of silence. Take a glimpse at fifty years of this simple technique from one of cinema's masters. SPOILERS for Shutter Island (2010), Superman (1978) and Man of Steel (2013)
1x7 - Michael Bay - What is Bayhem?
July 3, 2014
There are filmmakers we love and then there's Michael Bay. Even if you dislike him (as I do), Bay has something valuable to teach us about visual perception. This is an exploration of "Bayhem" — his style of camera movement, composition and editing that creates something overblown, dynamic and distinct.
1x8 - Satoshi Kon - Editing Space & Time
July 24, 2014
Four years after his passing, we still haven't quite caught up to Satoshi Kon, one of the great visionaries of modern film. In just four features and one TV series, he developed a unique style of editing that distorted and warped space and time. Join me in honoring the greatest Japanese animator not named Miyazaki.
1x9 - A Brief Look at Texting and the Internet in Film
August 15, 2014
Is there a better way of showing a text message in a film? How about the internet? Even though we’re well into the digital age, film is still ineffective at depicting the world we live in. Maybe the solution lies not in content, but in form.
1x10 - Robin Williams - In Motion
September 9, 2014
Robin Williams was a genius, but he was also a dedicated craftsman who explored how an actor could express character through movement. Join me in honoring this tiny facet of his work.
1x11 - David Fincher - And the Other Way is Wrong
October 1, 2014
For sheer directorial craft, there are few people working today who can match David Fincher. And yet he describes his own process as “not what I do, but what I don’t do.” Join me today in answering the question: What does David Fincher not do?
1x12 - The Silence of the Lambs - Who Wins the Scene?
October 14, 2014
In drama, two characters walk into a room. Each wants something from the other. The question of the scene is: who gets what they want?
1x13 - Snowpiercer - Left or Right
October 28, 2014
Characters make choices which they cannot take back. The question is: how do you show it visually? Here’s one solution from Snowpiercer. Warning: SPOILS ENTIRE FILM.
1x14 - Jackie Chan - How to Do Action Comedy
December 2, 2014
Some filmmakers can do action. Others can do comedy. But for 40 years, the master of combining them has been Jackie Chan. Let’s see how he does it. The 9 Principles of Action Comedy 1. Start with a DISADVANTAGE 2. Use the ENVIRONMENT 3. Be CLEAR in your shots 4. Action & Reaction in the SAME frame 5. Do as many TAKES as necessary 6. Let the audience feel the RHYTHM 7. In editing, TWO good hits = ONE great hit 8. PAIN is humanizing 9. Earn your FINISH

The Spielberg Oner - One Scene, One Shot

Every Frame a Painting - S1 - E3

Every Frame a Painting: Season 1 - 14 Episode s

1x1 - Mother (2009) - Telephoto Profile Shots

1x2 - The Imposter (2012) - Looking into the Lens

1x3 - The Spielberg Oner - One Scene, One Shot

1x4 - Wolf Children (2012) - The Lateral Tracking Shot

1x5 - Edgar Wright - How to Do Visual Comedy

1x6 - Martin Scorsese - The Art of Silence

1x7 - Michael Bay - What is Bayhem?

1x8 - Satoshi Kon - Editing Space & Time

1x9 - A Brief Look at Texting and the Internet in Film

1x10 - Robin Williams - In Motion

1x11 - David Fincher - And the Other Way is Wrong

1x12 - The Silence of the Lambs - Who Wins the Scene?

1x13 - Snowpiercer - Left or Right

1x14 - Jackie Chan - How to Do Action Comedy

Every Frame a Painting: All seasons

S0: Specials

S1: Season 1

S2: Season 2

S3: Season 3