%20--%3e%3csvg%20width='512'%20height='512'%20viewBox='0%200%20135.46666%20135.46667'%20version='1.1'%20id='svg185'%20sodipodi:docname='wserie.svg'%20inkscape:version='1.2.2%20(b0a8486541,%202022-12-01)'%20inkscape:export-filename='../../public/wserie.png'%20inkscape:export-xdpi='96'%20inkscape:export-ydpi='96'%20xmlns:inkscape='http://www.inkscape.org/namespaces/inkscape'%20xmlns:sodipodi='http://sodipodi.sourceforge.net/DTD/sodipodi-0.dtd'%20xmlns:xlink='http://www.w3.org/1999/xlink'%20xmlns='http://www.w3.org/2000/svg'%20xmlns:svg='http://www.w3.org/2000/svg'%3e%3csodipodi:namedview%20id='namedview187'%20pagecolor='%23ffffff'%20bordercolor='%23666666'%20borderopacity='1.0'%20inkscape:showpageshadow='2'%20inkscape:pageopacity='0.0'%20inkscape:pagecheckerboard='0'%20inkscape:deskcolor='%23d1d1d1'%20inkscape:document-units='mm'%20showgrid='false'%20inkscape:zoom='0.75187991'%20inkscape:cx='-219.44994'%20inkscape:cy='212.79994'%20inkscape:window-width='1920'%20inkscape:window-height='1029'%20inkscape:window-x='0'%20inkscape:window-y='27'%20inkscape:window-maximized='1'%20inkscape:current-layer='layer1'%20/%3e%3cdefs%20id='defs182'%3e%3cradialGradient%20inkscape:collect='always'%20xlink:href='%23linearGradient1249'%20id='radialGradient1251'%20cx='254'%20cy='95.249992'%20fx='254'%20fy='95.249992'%20r='67.65345'%20gradientUnits='userSpaceOnUse'%20/%3e%3clinearGradient%20inkscape:collect='always'%20id='linearGradient1249'%3e%3cstop%20style='stop-color:%2334b86b;stop-opacity:1;'%20offset='0'%20id='stop1245'%20/%3e%3cstop%20style='stop-color:%23206f43;stop-opacity:1;'%20offset='1'%20id='stop1247'%20/%3e%3c/linearGradient%3e%3clinearGradient%20inkscape:collect='always'%20xlink:href='%23linearGradient1271'%20id='linearGradient1273'%20x1='225.37227'%20y1='95.249992'%20x2='297.42328'%20y2='95.249992'%20gradientUnits='userSpaceOnUse'%20/%3e%3clinearGradient%20inkscape:collect='always'%20id='linearGradient1271'%3e%3cstop%20style='stop-color:%23ffffff;stop-opacity:1;'%20offset='0'%20id='stop1267'%20/%3e%3cstop%20style='stop-color:%23adadad;stop-opacity:1;'%20offset='1'%20id='stop1269'%20/%3e%3c/linearGradient%3e%3c/defs%3e%3cg%20inkscape:label='Layer%201'%20inkscape:groupmode='layer'%20id='layer1'%3e%3cg%20id='g1293'%20transform='translate(-186.26667,-27.516659)'%3e%3ccircle%20style='fill:url(%23radialGradient1251);fill-opacity:1;stroke:none;stroke-width:0.159763px;paint-order:fill%20markers%20stroke;stop-color:%23000000'%20id='path358'%20cx='254'%20cy='95.249992'%20r='67.65345'%20/%3e%3cpath%20id='path1748'%20style='fill:url(%23linearGradient1273);fill-opacity:1;stroke:none;stroke-width:0.127407px;paint-order:fill%20markers%20stroke;stop-color:%23000000'%20inkscape:transform-center-x='-12.008464'%20d='m%20225.37227,45.1744%20v%2032.19152%202.85227%20l%2031.87352,15.0318%20-31.87352,15.03181%20v%202.85226%2032.19153%20l%2072.05101,-33.97984%20-34.12905,-16.09576%2034.12905,-16.09576%20z'%20/%3e%3c/g%3e%3c/g%3e%3c/svg%3e){kind=small}
- wSerie
- TV Shows
- Night Gallery
- Season 0
- Episode 5
Revisiting the Gallery: A Look Back
Night Gallery - S0 - E5
Interviews with some of the people who worked on the show. They discuss Rod Serling, producer/director/writer Jack Laird, and what it was like working for them.
Night Gallery: Season 0 - 11 Episode s
0x1 - The Cemetary / Eyes / Escape Route
November 8, 1969
Pilot episode containing the first three stories. After murdering his uncle, a man is haunted by a family painting which keeps changing. A blind woman undergoes an operation that gives her 12 hours of eyesight. A fugitive Nazi faces the consequences of his past actions.
0x2 - Die Now, Pay Later
March 16, 1972
An undertaker holds a clearance sale to get rid of excess stock, but is surprised when the local sheriff points out that there has been a subsequent rise in the number of "accidental" deaths.
0x3 - Room for One Less
March 19, 1972
A creature teaches an elevator operator some manners.
0x4 - Satisfaction Guaranteed
March 22, 1972
An employment agency official has difficulty trying to fill a position for an extremely particular customer.
0x5 - Revisiting the Gallery: A Look Back
March 25, 1972
Interviews with some of the people who worked on the show. They discuss Rod Serling, producer/director/writer Jack Laird, and what it was like working for them.
0x6 - NBC Night Gallery TV Promos
March 29, 1972
0x7 - Art Gallery: The Paintings in Rod Serling's Night Gallery
April 1, 1972
interview with Tom Wright, the artist who did all of the paintings used for the show. He talks about the process of getting the paintings done for each story and who he used as models.
0x8 - The Syndication Conundrum: Night Gallery's Horrific Second Life in Reruns - Part 1: The First Season
November 23, 2021
A featurette by film historian Craig Beam discussing the troubles of adapting the hour-long show for syndication.
0x9 - The Syndication Conundrum: Night Gallery's Horrific Second Life in Reruns - Part 2: The Second Season
July 26, 2022
A featurette by film historian Craig Beam discussing the troubles of adapting the hour-long show for syndication.
0x10 - The Syndication Conundrum: Night Gallery's Horrific Second Life in Reruns - Part 3: The Third Season
November 22, 2022
A featurette by film historian Craig Beam discussing the troubles of adapting the hour-long show for syndication.
0x11 - Die Now, Pay Later / Room for One Less / Witches Feast / Little Girl Lost
September 22, 1971
An undertaker slashes funeral prices at a January clearance sale. A creature teaches an elevator operator some manners. A group of witches goes through a menu. A scientific genius is troubled by the death of his daughter.